Poems by Mary Dezember
Dedicated to You
Pure Poetry and Art
Once upon a time I thought
that the moments preceding death would be
a kaleidoscope of chakra colors framing images of my life:
fuchsia-violet, yellow, green and blue and indigo and red and
my daughter being born, her tiny
body emerging from mine,
she popping out like a cork from the finest champagne,
her birthing waters christening the room that
at once
filled with angels,
hundreds of angels
hovering about us,
and me seeing my baby's pure body and hearing her pure cry,
and me feeling love in the purist sense, the only sense
that love should be felt,
and me not knowing such pure poetry
again,
until my son....
red, indigo, green, yellow and blue and fuchsia-violet and
me hearing the sound of a weedeater
early one Saturday morning, thinking
it must be my neighbor, then
my seven-year-old son’s small but firm grip
onto my sleep heavy hand.
Mom, come and see what I made! and me shuffling behind
his skip out the door to the front yard,
and the letters "M O M" carved large, heroic-sized,
perfectly across and into the front yard,
all the way down into the dirt,
inscribed into the earth,
and my son smiling so big, then me
dragging the ladder from the garage into the street
and climbing up it in my nightgown and robe
to get a panoramic view of my name weed eaten across the front yard,
and me standing near the top of that ladder, snapping
a photo of my son standing on the yard below,
one hand on his hip,
the other holding the weedeater I’d forbidden him to touch,
my son
standing proudly and firmly behind his art.....
(“Pure Poetry and Art” was first published in Still Howling: Poems by Mary Dezember, CreateSpace Independent Publishing Platform, 2016: 9-10. It is a part of a longer version of a poem entitled “Excerpt” that was published in Adobe Walls, Editor and Publisher, Kenneth P. Gurney, 2013: 92-95.)
With You
It is Mother’s Day in Indiana
And I rise with the sun
And find myself again
At your grave.
The grass is fresh and long,
And I lie next to where you lie,
Running my fingers through the grass
Pretending it is your hair,
And I am loving you
As when I was a young child
Soothing your cool brow
With my fingertips,
Frightened you will leave.
The grass stays in its place;
Finally,
Your hair didn’t.
But what, truly, is a permanent place?
My Mother,
My Mentor,
You taught me my life’s greatest lessons:
Love with all my might.
Have Faith, I am never alone.
Life is a gift, so
Never stop.
Never stop
Affirming what’s right,
And Life is always right,
Believing in Life,
Holding onto Life,
No matter the odds.
(“With You” was first published in Fixed and Free Poetry Anthology, Editor and Publisher Billy Brown, 2018, 103-104.)
Earth: The Mother of Us All
Riding high on my wide wing span
I never get too close to the sun,
Remembering Icarus, who,
Wanting to be free and fly,
Forgot the power of Apollo.
I am not an angel.
So, when things get too crazy,
I land
And lie on the grass,
And enjoy the pulse of life.
Earth is the Mother of us all,
Mentoring Goddess – with the help of Auntie Moon.
Earth absorbs the goodness of life-blessing Grandma Sun,
Who wants to pull us close, hug us into her,
But she knows that with too much of her radiant love
We would explode, become her,
And she knows that the truth is –
We must be whole unto ourselves, individual:
This pays homage to our Creator.
So we must
Stay our course,
Soaring between the Sun and the Earth,
Riding the space waves,
Then the atmospheric waves,
Then settle again into the cozy, cool but warming
Heartbeat
Of our Mother.
If only we would listen.
(“Earth: The Mother of Us All” was first published in Fixed and Free Poetry Anthology, Editor and Publisher Billy Brown, 2018, 103-104.)
Prologue to Rosalind Franklin Speaks:
In awe, she sees
The gorgeous arrangement,
Then carefully
Photographs the soon-to-be-famous
X-ray diffraction images.
She has discovered
The double helix.
Her findings are used
Without her permission.
Double Helix Triple Betrayal
By Watson, Crick and Wilkins.
Rosalind Franklin Speaks
What is credited
and what is fact
are two strands
spiraling about one another,
to create all that we are,
holding the mysteries still to be revealed.
Discovery, that is what it is about.
Women are curious, too,
but I am sorry, usually just not as damn selfish
for the recognition. We don't imprint our names
on our offspring or any of the next generation,
as we understand that that imprint is inherent, not
imposed, and grows from heredity
rather than strong-armed control
and claims for what is not ours.
Forming the next generation in its
complex combination of what is
predicted, what is
unique,
is the DNA's job, not ours.
Certain that I wanted to
be a scientist at age 15,
I was able to get my
father, finally, to
allow me to study
what I am good at,
what defines me,
what courses in my blood,
what is in my DNA.
That took a lot of work,
just to get him to let
me be me, to study
my identity,
and yours.
And Father loved me.
What can I do about
Watson, Crick and Wilkins
who see women, even and
especially women of science,
through the eyes of their broken
x chromosome, the one we
call the "y" chromosome?
Take the discovery
that DNA is a double helix —
revealed by
my work,
my research,
my X-ray diffraction images,
my Photograph 51 —
and use it
without my knowledge
or permission.
Betrayal is nothing new.
Even my ovaries were in on it,
taking my life at age 37,
and four years later
giving the men the prize.
(“Prologue to Rosalind Franklin Speaks:” was first published in Fixed and Free poetry anthology 2015, edited by Billly Brown, Albuquerque, NM: 229 and is also published in Still Howling: Poems by Mary Dezember, CreateSpace Independent Publishing Platform, 2016: 13.)
(“Rosalind Franklin Speaks” is published in Still Howling: Poems by Mary Dezember, CreateSpace Independent Publishing Platform, 2016: 14-15.)
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